A Melange of sorts:

September 2, 2006 at 01:13 | Posted in Beer, communicative media, Documentation of things, Grad school update, new york, Performances/Exhibitions, Things related to John Cage | 2 Comments

Next week I will be participating in a reading of John Cage’s works at St. Mark’s Church (10th and 2nd Ave.) that commemorates his birthday. It starts at 7:30.

I was thinking about our binary notions of structure yesterday, and came to a realization regarding the notion of deconstruction. I feel that deconstruction is often viewed as an alternative to the reification of structure, however this needn’t be the case; we are better off to engage both reification and deconstruction intermittently: reification maintains structure, while deconstruction subverts structural hegemony.

I have had a lengthy email exchange with some people from the phonography.org listserve over the past week, and some interesting topics have come up. Primarily we have discussed the implication of structure in the practice of phonography, but we’ve also gotten into a lot of the tangential critical theory that goes along with it. My main concern is the enunciation of a proper paradigmatic structure for the medium. What I really wanted to get at here though was a comment that was made in reghards to simulacra; someone mentioned that when we cannot garner a proper message from a simulacrum we assume that something is wrong with the medium or the person who used the medium to create the simulacrum. This seems like a vital concept when we consider the notions of reification and deconstruction within structurality, as deconstruction often fondles the methods for creating meaning through simulacra–by fondle I mean that it investigates it in such a way that it is looking to uncover the limits of its potentialities and formulate a clear assessment of current occupations through various methods of ‘appropriate’ and inappropriate engagement .

I’m still trying to sell my tabla set–to no avail.

I’m still doing a great deal of thinking about the body and its organizations.

I recently began working on a new recorded artifact that employs field recordings and a drone rendered through the Elapsed Isolationism of the Pixies song “Where is My Mind.”

I’m writing a trio right now titled Complete Aegis Trio. I am using methods of indeterminacy that are dependent on crosswalk signals on a pre-mapped path.

I got a job with a beer distributor, and I’ll be helping out pouring beer at the upcoming New York Beerfest next weekend. My job is sales rep. That’s the deal.

Apparently I’ll be making some rap music with Chris Tabron some time soon.




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  1. Double holler.
    Hollar Honda?

  2. yes you will. holler holler.

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